Destinos: An Introduction to Spanish, also known as simply Destinos, is a television program created by Bill VanPatten, who at the time was Professor of Spanish and Second Language Acquisition at the University of Illinois at Urbana Champaign. Running for two seasons, the show began in 1992 and was designed to introduce viewers to the basics of the Spanish language. Its 52 episodes are often used for educational purposes in schools.
Destinos was produced by WGBH Boston and funded by the Annenberg/CPB Project, with additional funding by the Geraldine R. Dodge Foundation.
Destinos uses the telenovela (Spanish soap opera) format to teach Spanish-language communication and comprehension skills. Early episodes have English-language narration in addition to Spanish dialogue, but the English content continually decreases before disappearing entirely. The viewer is introduced to the accents, dialects and cultures of various Spanish-speaking countries.
The series consists of 52 episodes that cover the scope of Spanish grammar, including verb tenses of present, future (including future of uncertainty), imperfect, preterite, perfect, pluperfect, participles, and the present, imperfect, and perfect forms of the subjunctive. It also covers a variety of country-specific usages: for example, it uses both the verb extrañar (to miss somebody or something) and the phrase echar de menos (which means the same thing). After the early episodes, the conversation is done at more or less normal speaking speed, improving the student’s comprehension. Spanish subtitles are included on both VHS and DVD versions — translations are not provided. The DVDs are available from the Annenberg/CPB project website.
An accompanying set of materials is available to complement the series; these include a set of audio tapes and a textbook, the latter of which follows the series episode-for-episode but provides a more systematic presentation such as would be used in a classroom course.
Destinos is characterized by frequent reviews of preceding episodes. This may make the series seem overly long and excessive, but the reviews provide repetition in order for viewers to retain the material. It is also characterized by the patriarchal figure Don Fernando, who – despite being on his deathbed in Episode 1 – never actually dies.
¡Atención! This section contains spoilers for the Destinos mystery.
Fernando Castillo Saavedra (Augusto Benedico)Destinos recounts the story of Los Angeles-based lawyer Raquel Rodríguez who is hired by the family of Fernando Castillo (Augusto Benedico). He had discovered that his first wife, Rosario, did not die in the Spanish Civil War as he had believed, but had survived and had an unknown child. In the course of her investigation of the case, Raquel travels to a number of Spanish-speaking areas — Seville and Madrid, Spain; Buenos Aires, Argentina; San Juan and San Germán, Puerto Rico; and Mexico — has a number of adventures and mishaps, meets a love interest (Arturo Puig) and faces a number of melodramatic conflicts.
Recurring plot elements include Raquel traveling in pursuit of the investigation, letters (primarily to determine last known addresses of people), comic mix-ups, and death (although nobody dies during the series, many characters are found to have died before then, and Don Fernando is on the verge of dying).
¡Atención! This section contains spoilers for the Destinos mystery.
The BeginningIn a large estate called La Gavia outside Mexico City, a very old Don Fernando has been keeping a secret for some time: he received a letter, from one Señora Teresa Suárez of Seville, Spain, stating that his first wife, Rosario, did not die in the Spanish Civil War as he had thought.
Fernando’s (unspecified) medical problems are increasing, however, and when he starts seeing hallucinations of Rosario he finally decides to act. He gathers his entire extended family, which includes the families of his children, Juan, Carlos, Ramon, and Mercedes, together and explains to them that he wants to find out what happened to Rosario, who was pregnant when they lost contact. His brother Pedro hires Raquel, a lawyer of his acquaintance, to investigate.
Finally, we meet Angela’s boyfriend and nauseating mujeriego (“womanizer”), Jorge. He makes several clumsy passes at Raquel. A mild fight between Raquel and Angela ensues; not because Raquel tells Angela about the passes (she decides not to based on advice from her mother), but because Angela thinks the world of him and wants to give him a significant amount of money to start a theater. Nonetheless, Raquel and Angela are about to travel together to Mexico when they learn that Angela’s brother Roberto has been trapped in an archaeological excavation in Mexico.
After Raquel calls her mother back in Los Angeles to catch up, her mother hatches a scheme to get Raquel back together with Luis, an old boyfriend. Luis called and talked to Raquel’s mother and began trying to get back into Raquel’s life. Luis impressed Raquel’s mother with his apparent maturity and wealth, so, despite her advice to Raquel not to get mixed up in other people’s lives, and despite her husband’s misgivings, she invites Luis down to Mexico unbeknownst to Raquel. Arturo and Luis meet, resulting in some tense moments, but they generally get along well, leaving Raquel wondering what is happening.
Finally, Arturo meets Raquel’s parents. Arturo finds Raquel’s father is amiable, but her mother is clearly not. Raquel had by now figured out that her mother asked Luis to come down to Mexico, and a fight between the two ensues. Her mother finally admits that the only reason she’s opposed to Arturo is that she’s afraid that Raquel, their only daughter, will move to Argentina with Arturo. After Raquel assures her she will not leave her parents alone, her mother has a change of heart. When Luis presents Raquel with tickets to go away for a romantic weekend with him, she tells him that there is no chance. Luis leaves a good-bye note for Raquel and returns to the United States.
To wrap up the series, Arturo expresses his interest to move to Los Angeles to be with Raquel, since he has no family and few friends in Argentina.
A follow-up story, Nuevos Destinos was produced by WGBH and McGraw-Hill for Annenberg in 1997. It revisits the Destinos story six years later as Raquel encounters a new family mystery. The episodes are only 15 minutes long in this sequel, and some major characters from the earlier series, such as Arturo, do not appear outside of flashbacks but may be mentioned or play a role behind the scenes. Nuevos Destinos includes about three hours of video, with an accompanying immersive CD-ROM that allows the user to help Raquel discover what is going on.
A number of educational resources are available to accompany the episodes. These materials are available here on this site.
Historical Preservation: This content was originally hosted on Wikipedia but was subsequently removed. We include it here to ensure students have access to the series’ complete origins and character details.